Still Remains-Relatives snakes
"Let me say first thing that we are not Christian band, "says the leader TJ Miller of Still Remains," even though we are all very attached to our religious roots, we like to fuck and go to parties: it would be very hypocritical to call ourselves a Christian band. "
Since 2002, the band from Grand Rapids Michigan is committed to reducing
sound and ideological boundaries that exist in the world of music. With their 2005 debut, Of Love And Lunacy, Still Remains have the added keyboards to the sound of Children Of Bodom metalcore growl made , breakdown and double pedal at will. This band is guaranteed to turn sound has a great following in the United Kingdom thanks to the supporting tour for Bullet For My Valentine and Hawthorne Heights. This year, with the dates of the Warped Tour, with the second album with the line up changes, they are ready to raise its voice even in the U.S.. The leader of
Still Remains tells us about a bit 'of the latest and the new album The Serpent.
To take away the pain immediately, tell us about changes in the line up?
Since Jordan Whelan (guitar) and I set up the project, have contributed largely to the creation of the songs. So even if we have new members, we understand that we are still Still Remains. We are still the same band that the kids have known, appreciated and even loved.
About Love, it seems you're very fond of .
There are places that take us well, since the last time we played in California, there was a lot 'of women's underwear that was pulled on stage. There were all these bras and panties flying and could not understand and thought that obviously, for California, we had some really cool look.
What inspired you when writing The Serpent? The Serpent
the narrative point of view about a series of unfortunate events, and every song has at least a couple of meanings. One half is linked to my personal experiences and the other half to something more universal, but it all relates in the snake-like evil-has an impact on us all.
Do you think this album is more explicit in terms of texts than your previous one?
In some ways yes, because I try to give hope to those who read the texts. I never wanted to write about my childhood that I grew up in a bad situation and I had to struggle against depression or loneliness. Then, I realized that my story could be helpful for other people to confront and understand that there are people who go through similar situations at all.
Your faith has influenced this decision?
Even though I am aware of the sad things that surround my life, I am a Christian who has faith in God and wants to make a difference at all costs.
You were raised according to Christian ethics, or did you get yourself?
least I have not been educated up to the age of 10 years when my father took me into custody and I moved to Michigan. Before I lived with my mother and I do not want to offend you, but living in Florida with her was awful. Although at the time I do not speak, but I knew that Jesus existed and always followed me.
How have evolved since the days of Still Remains Of Love And Lunacy?
We found enough security to produce the album they really wanted write. We have songs on this album that are harder than in the past and where he sang songs all the time, I think people will respect our evolution and how we have grown and we evolved.
Modern Life Is War-Two Minutes To Midnight
To be a band that formed in the middle of nowhere, in Marshalltown, Iowa, arriving at their level, nowadays, is half a miracle.
After a promising EP, the band has unsheathed two albums, My Way Love.My Witness in 2003 and 2005 that have contributed to create a sound aggressive, but melodic at the same time, combined with personal lyrics and clearly inspired by politics. Although in some ways compared to the fury of Black Flag or the American Nightmare, frontman Jeffrey Eaton, promises that the new album, Midnight In America, take your breath away more than one person for his stylistic choices.
"We literally shuffled the cards and we feel the best of our potential," Eaton said during the tour that is carrying around with his band He Is Legend, "are fighting ways. I think right now we play in a different way compared to 99% of other bands around. " In fact, if Witness, registered under the supervision of Kurt Ballou Converge and produced by the record of increasingly Jake Bannon of Converge, was celebrated by critics as one of the best modern hardcore album, Midnight In America certainly sounds better. The new label Equal Vision-la-, the new producer and the largest budget provision has enabled MLIW to explore further developments in sound, "we felt the need to go further and do something better. I think we had the means to be bolder and I am completely satisfied with this choice, "said Eaton.
However, lovers of darkness emanating from Witness, can rest easy: "I think I'll always be attracted to my roots and my roots are in punk and hardcore scene and I think they a very dark component as a substrate that is there and does not go away, wherever I go. "
Interviews taken by Revolver
Evergreen Terrace-Wolfbiker
A warm welcome back to Evergreen Terrace, albeit with a little 'guilty of delay on our part. I want to put things it clear: the myriad outputs that characterize the market each year , some beautiful, some negligible, this has a meaning ... it is very useful in terms of music. Let me be clear, we are not in front of the disc will change the fate of the rock era, or will, but it has its undeniable weight. Indeed, perhaps more than the album itself is just the band that has an important role in liaising and union. Yes, because Wolfbiker is the hypothetical perfect bridge between punk / hardcore and metal, or if you want to see the glass half empty the Evergreen Terrace are too technical for a regular hardcore band, but too little for a virtuous metal band with controcazzi . The good thing, though, is that the consensus could potentially be very large.
Speaking of the disc, you must say it sounds very compact and homogeneous, but at the same time jumping between different influences on balance. You go from songs as high tide or no tide, Chaney can not quite riff like Helmet's Page Hamilton (spectacular ... just the title) or Starter showing a vein similar to that of the deceased Boy Sets Fire, or in some ways of Strung Out, and tracks Bad Energy Troll as the title track Wolfbiker (spectacular!) or the furious Rip This (seems vaguely Bleeding Through) port on the sound territories metal / hardcore. Mention also for the final Damned, really well done.
In conclusion, the disc slips away quickly and accurately and gives very interesting insights. Do one thing, grab it and listen to in one breath and you will realize that, to paraphrase their own, can not Evergreen Terrace quite rock like As I Lay Dying, But More Than Enough They rock!
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